The project uses typographic contrast and motion to mimic the delivery and message behind Lamar’s verse. Taking inspiration from the album’s cover design and the song’s official music video, the majority of the colour palette is in greyscale. 3D modeled objects, such as a house and a car are used to support the impact of the lyrics.
The story of “Alright” is hope in the face of eternal struggle. Kendrick Lamar tells the listener that no matter how bad things get—“we gon’ be alright.” It’s a standout track from his Grammy award-winning album To Pimp A Butterfly, which explores personal and political themes of “African-American culture, racial inequality, depression, and institutional discrimination.” Since the track’s debut, it has been associated with social movements such as Black Lives Matter, where participants have been caught on video chanting the chorus.
Kendrick Lamar’s To Pimp A Butterfly Album Cover
In the second verse of “Alright,” Kendrick Lamar raps from two perspectives, himself and the voice of Lucy (Lucifer). Lucy tries to seduce Lamar into greed, but Lamar prevails in his unwillingness to fall into temptation—a true representation of strength in the face of eternal struggle.
Using type and motion, the narrative is driven by bringing attention to Lamar’s message and musicality. The type is set in Laurentian Std Semi-bold. Laurentian’s x-height and weight allows the viewer to quickly read at the pace of his fast delivery. A serif font was chosen as it best represents Lamar’s masterful skills as a writer and storyteller. Delivery of the lyrics are broken up into contrasting segments. Typographic contrast is created primarily with size and tracking, while motion contrast occurs through directional changes in position and scale.